Monday, September 5, 2016

I have finally set up a site for promoting my current project, "In the Trenches".  The site will serve to, not only promote my book, but to also seek out assistance and guidance during the process of getting it published.  I've been writing for as long as I can remember and have found some success in getting published online, but this is new territory for me.  I hope anyone who is interested enough in my writing to visit "Paint in in Words" will also visit "In the Trenches".  I will need a lot of guidance to achieve this dream, but even more so, I will need support.  

Saturday, May 7, 2016

Mother's Day

     For so many, Mother’s Day is just another small holiday to celebrate with cards and gifts, but most women would prefer a few moments of undivided time with their children than any gift money could buy.  I often work on Saturdays, so last year while seeing patients the Saturday before Mother’s Day, I arrived at the home of an elderly lady I had been seeing for months.  I usually saved her visit for the end of the day so I could stay a while and visit after finishing her therapy.  I knocked then let myself in as I always did since she was unable to get from the hospital bed in her living room to the front door.  Two large arrangements decorated the dining table, a stark contrast against the dark paneled walls in the dimly lit room. The flowers were from her children—an arrangement from each of them.  My patient wasn’t feeling well, so we did only a few exercises before I sat on the floor beside her bed and leaned against the heavy, leather chair that was, as usual, occupied by a scrappy, mixed breed dog of some sort.  We spoke of the usual things at first—the weather and her favorite TV show, Bonanza.  Then, I asked if she would tell me about her mother and share some childhood memories with me.  She closed her eyes for a moment, and when she opened them, there was a spark of life I’d not seen there before.  She told me about her “mammy”, who smelled like Chanel No. 5 and oil paints on damp canvas boards.  I heard about her parents’ love story and a privileged childhood in a large family—one who gathered around the table for meals and spent summer vacations traveling to places I’ve only read about in books.  Then, she told of another love story—one that made her pause often and stare past me as she visited memories too tender to share.  A happy couple posed from behind a dusty glass frame on the wall beside the hospital bed.  The black and white photo could not conceal the sparkle in the young lady’s eyes.  The same eyes continued to stare past me now as the room fell silent.  I took her small hand with both of mine and squeezed. 

     “Thank you,” she whispered, “for this gift—for listening.  It’s been so long since I’ve gotten one so nice.”

     “But look at those beautiful arrangements.”  I pointed to the table in the next room, but she just shook her head.

     “Beautiful, yes, but no different than every other arrangement I’ve ever gotten.  And a stranger delivered them from the flower shop.  I’d rather one of my children show up empty handed than a stranger with a dozen roses.” 
 
     “Yes,” I agreed, “and I would give a year of my life for just one hour of sitting with my mother or grandmothers like this again.” 

     “I know you would,” she replied.  “Tell me what you miss the most.  Let’s give them the gift of remembering today.”                           


     I miss so many things about my mother, but it’s the small things-those often taken for granted until they are gone-that I miss the most.  The sound of her voice saying my name. Hearing my own voice saying, “Mama”.   She had a sweet voice that was a snapshot of her essence, and she always held back in a crowd yet drew people in.  Mama loved to laugh and surrounded herself with friends who brought out her playful side.  She didn’t keep a large circle of friends but, instead, pulled those she called “friend” close and nurtured her relationships with them.  I would love to have known what it felt like to be pulled into her tight circle—that place where I could see past “mama” to “Marcia”, but she was gone before I reached the age when this was likely to happen.  I missed something amazing, and I know this is true because all who called her “friend” still call her “best friend” to this day, even though their time without her has now surpassed the amount of time they had with her.


     As a child, it was like magic to watch Mama transform from “mother” to “daughter” when we reached that small white house in the woods, surrounded by hydrangeas and cedar trees.  She was Mama in the car, cigarette hanging loosely from her fingers as she sang softly along with the radio.  When we’d reach Stuttgart, her home town and that magical place in Arkansas that was, to us, summer vacations and holidays but to her still “home”, Mama would sit up a little straighter and begin pointing out landmarks to her childhood memories.  We already knew most of them since we heard the stories any time she could talk Daddy into making a loop through town.  Still, Vicki, Lori, and I would cross our fingers in the back seat, hoping Daddy would turn left instead of following the railroad tracks out of town and to the rocky back road to Mamaw and Papaw’s house.  I remember what it felt like to turn onto that gravel road—a right turn then immediately over the tracks.  Music from the car radio was drowned out by the popping and dragging of rocks underneath the car until we made the right turn for the home stretch.  The rocks turned to dust and hung in a thick, brown cloud behind the car.  When we finally turned into the driveway, Mama’s excitement from the front seat was tangible, contagious.  “Mama” became “daughter” as our grandparents took her again into the fold.  For the next few days, she was different.  Her childlike voice became even sweeter when she talked with her daddy, and her timid nature was replaced with the confidence of a woman secure in her position as “only daughter” to doting parents and “beloved sister” to her three brothers.  
   
     I used to watch Mama with my grandmother, Vera, and wonder, again, if the friendship between them happened to every mother and daughter at a certain age.  They laughed at the same things and each knew what the other needed before she had a chance to voice it.  They were playful together and even more playful when my aunts were also with them—calling each other by nicknames and turning a simple dinner preparation into a party that ebbed and flowed with the cadence of each new song drifting from the small brown clock radio on the kitchen table.  The best way to describe my grandmother would be to take everything that Mama was and turn it inside out.  Vera was vivacious and forever young as her body moved to the beat of a song and her mind drifted often to dreams just on the outer borders of her reality.  She spoke what was on her mind and carried herself with confidence.  She was tanned legs that ended in bare feet and painted toe nails.  She was always put together and kept her home the same way.  On the surface, she was smoothed out and tucked in, but beneath, she was a free spirit and often unpredictable.  In many ways, I related to her more than I did Mama or anyone else, except for one special lady who I also called Mamaw—my daddy’s mother. 


     My grandmother, Vira, was a blueprint for what I would one day become.  I’m not an exact replica of her because she was certainly an original.  The similarities were there, however, in the fine corners and slopes of the early framework.  Then, as maturity put its finishing touches on me, I could look at Mamaw Vira and see myself.  This wasn’t a physical resemblance but a spiritual one that allowed us to both perceive the world and express ourselves in the same way.  Vira didn’t just live life.  She experienced it, receiving each day as a new adventure, a venue to play in, or a new story to write. Thoughts flowed through her pen onto the page, arranging themselves into stanzas, lyrical snapshots of her past and descriptive illustrations of her future dreams.  She had a huge presence about her, and, though she loved being with people, she wasn’t afraid to be alone. Playing had nothing to do with age because age was of no concern to her. One of the greatest gifts I have given my children is permission to play at any age.  I was given the same gift by Daddy, who received it from my grandmother, as did all of his siblings.  Vira found ways to enjoy all of life’s little moments and knew how to bask in the afterglow of them, filling the pages of her notebooks and the hearts of all who would relive the moments through her words.  

     It was getting dark by the time I told my sweet patient goodbye and started my drive home.  I’d always enjoyed the long drive home for the time it gave me to think about the day.  I thought about each blessing I was able to give and all that I’d gotten in return.  I pondered the things that didn’t quite work for my patients and how I could improve on them next time.  On this day, however, I thought only about my last patient and wondered what Mother’s Day would look like for her this year.  Would she be alone with her memories?  No, I decided.  She could never be alone with them, any more than I could have been alone on that drive home.  Once again, I’d gone into a home to serve and left with as much as I’d given.  She’d invited me to share memories, to give my mother and grandmothers the gift of remembering, but she’d known all along that I would be the one receiving that gift.  It would be the last evening I’d sit on the floor beside that hospital bed, scrappy dog breathing down my neck, telling stories and listening.  My friend no longer needs me to listen—she is with those who put that sparkle in her eyes.  My gift to her this year is remembering, and once again, I will get as much from it as I give.  

Monday, March 21, 2016

     Black


    It was evening on a day when everything just felt right. I was in the back of a parked truck in our driveway with my two sisters, Vicki and Lori. Like most times when we played with Lori, Vicki and I were more than willing to go along with the games she made up for us.  This time, we were playing “One Tin Soldier”. We spent an hour memorizing the song then sang it together over and over while acting out the lyrics. Lori was the leader, and I was eager to please her. It was easy, however, to get distracted with Vicki constantly pecking me on the arm to get my attention—always to show me the current color of her new mood ring. Okay, I pecked her couple of times too. The rings were so amazing, and mine had stayed a brilliant blue the entire day. Blue meant that I was happy. Still, I felt a bit cheated when it didn’t change colors often the way theirs did. At least mine was stuck on blue and not black, the color that revealed anger or fear. We must have acted out “One Tin Soldier” twenty times before Mama called us in to eat dinner. It was hard to go inside with the strong, warm breeze just now blowing in, adding to the drama of our little plays. We were having pizza for dinner, though, and pizza was as good a reason as any to stop playing and go inside. Vicki and Lori tumbled from the side of the truck bed and started racing each other just as I stepped over the tailgate, pausing long enough to take a quick glance at my ring. A light green color hung onto the edges of the blue, and I had to reign in my joy for fear of chasing the new color away.
    
    Mama was just taking the second pizza from the oven when I made it inside.  My grandmother, her Mama, was bustling around the house like she always did. I raced Vicki to the bathroom to wash up for dinner while Lori lingered in the kitchen to sneak a pepperoni from one of the pizzas. Just as I pulled the towel from the rack to dry my hands, I heard her scream.

    “Mama!”

Then, Mama’s usually-calm voice, now laced with fear, cried,

    “Mama, come here—quick!”

Vicki and I ran from the bathroom to see what was happening just as our grandmother made it to the patio door and screamed.

    “Mama!  Where are you?”  My great-grandmother was the oldest of us all—four generations of women with no men to protect us from the monster outside our patio door.  Daddy was away, working on the pipeline in Alaska.  Had I made it to the window, I would have broken the chain.  I would have called out, “Daddy!”

    My grandmother pulled us all into a tight huddle in the middle of the dining room, like football players planning our next move.  I tried to hear what the adults were saying but could hear nothing over the loud roaring in my ears. It was a deep sound that I could feel as well as hear. It grew louder in direct proportion to my fear until I could feel nothing else. Just when I thought we would stand clinging to one another until we were killed by something I didn’t even have a name for yet, my grandmother began tipping over chairs in the living room and pushing us beneath them, as if mere pieces of furniture could save us. My great-grandmother stood, pressed into a corner across the room, unable to get to the floor.  I was trying to make eye contact with her when the air was suddenly sucked from the room and everything went black.  I feared it would be the last time I would ever see her alive.  Now, in total darkness, I tried to picture what the approaching monster must look like, but the image of Mama’s terrified face was all I could imagine.  The roaring in my ears was now a living, breathing thing, passing over us.  Still, I could hear my grandmother pray and Lori, whose only knowledge of tornadoes came from years of watching “The Wizard of Oz”, cry out,

    “Mama, is our house in the air?”

    The roaring finally stopped and was replaced with an eerie silence. I thought for a moment that we must be the only people on earth still alive—until the neighbors were screaming and pounding on our front door, jammed from the strong suction of the tornado as it passed. Someone eventually kicked the door in, and Mama ran to our linen closet to grab sheets and blankets for the cold, bleeding neighbors. My sisters and I were moved into Lori’s room where we sat huddled together until the cries from the living room stopped and everything went silent again. I should have been comforted by the fact that it was over, but all I felt was confusion from the knowledge that there were things in the world larger than the safety of our home—things that could bring terror into the faces of those who were not supposed to be afraid. Our uncle, who had shown up to make sure we were okay, entered the room.  A thin ray from his flashlight brushed past us then returned and rested.  Tightly clasped hands were still in prayer on my lap, and my mood ring displayed its new color proudly. My eyes snapped shut. I didn’t want to see the color for fear that my desire for it had caused the storm. Still, the image of what my eyes were too quick to miss burned behind closed lids. The brilliant blue was gone, replaced with the boldest black I’d ever seen.

Thursday, October 29, 2015

Whitesboro Writing Group accepted/compiled Halloween related stories from various authors and published them in an ebook, which released on Amazon 10/28. I have two stories in the book--"The Last Thorn" and "Dare" are the titles. I can't post a direct link to the stories due to contract rights, but here is a link to the book. I know it isn't "my" book and doesn't have my name on the front cover, but it's one step closer to the goal of having my own book completed and published. Exciting :) 

Wednesday, July 15, 2015

Bunbury Magazine/The Last Petal

First Suspense Story Published
This is an extension of "Green Haze"




     The sable horizon reluctantly releases the magnificent harvest moon, and a mantle of darkness falls from a lone car as it creeps along an isolated road.  Shadows slip from the two silhouettes inside to reveal sun-kissed skin over young, beautiful bodies.  A subtle glow from the dash covers everything in green velvet.    
      The girl, high on Halloween candy and left over adrenaline, anticipates the rush of air, heavy with cotton and warm dirt, as she leans toward the open window.  The boy settles deeper into his seat and lowers the wheel, tapping out a rhythm as he watches her arm ride the night air.  She sings her own lyrics to the song, cutting her eyes over to see if he approves. The boy laughs at her through a haze of green darkness, warm air, and music. 

The rest of the world sleeps.
  
      “Where are we going?” she mutters, barely audible above the music.
He only looks at her and laughs, a low, growling sound that blends with the grinding bass melody of the song. She closes her eyes, seemingly unaware that she’s received no answer. 

So trusting. 

He clenches the steering wheel tighter and glances over at the girl. He has allowed himself to get too close to this one.  Her blond hair, stiff with hairspray and already tangled, whips back and forth in the wind.  As the car slows to a near stop, the hair settles across her face, leaving only her lips exposed.  With one eye on the dark road ahead, the boy leans over until he can feel warm air escape the small opening of her lips.  It smells sweet, yet stale, like the last petal that clings to a rose. So vulnerable.  He feels himself stir with excitement then retreats.  His usual anticipation is cloaked in dread, and his mind scrambles to make sense of the deception.    

She is no different than the others.  

      He pulls into a nearly invisible gap in the trees just moments after the landscape changes from open cotton fields to thick woods.  The girl sits up suddenly, a bit confused yet excited for a new adventure.

      “What are we doing here?”  She pulls her hair back and secures it with a band from her wrist.  “Eww, is it another haunted house?  I don’t know—that last one was too real.”

      “Be patient,” the boy replies, reaching over and pushing a loose strand of hair behind her ear.  They pass an opening in the thick cover of trees, and his heart quickens at the sight of a small mound of loose dirt in the otherwise flat ground of the enclosure.  New grass has begun to cover it, but he still catches a glimpse of faded red petals beneath the new sprigs.  He glances down at a single rose on the seat between them, and a fresh wave of courage and excitement wells up.  He leans in to whisper, “I promise you will love this.”  Soft, tender petals brush the tips of his fingers just as a single thorn pierces the palm of his hand.  



Wednesday, June 17, 2015

Regret--Published at Estuary Magazine

Regret

Regret
    It was only a small gap in the trees that separated us from the open field on the other side.  A halo of light hung inches above the top of the tree line, undulating to the irregular beat of music blasting from every direction and ricocheting before finally clashing somewhere in the middle.  Warm, sweet air brushed past me, propelled by something just behind the trees.  The soft earth surrendered underneath my feet and wrapped around my new shoes, the hay put out to control it already trampled and buried beneath the thick sludge.  As we neared the entrance,  I thought about the regret I’d felt the last time I passed through the opening in the trees, headed back to the car with an oversized pink elephant stuffed under my arm and a cheap KISS mirror in my back pocket.  Neither one was able to serve as a ransom for the one thing I didn’t have-the satisfaction of knowing I'd conquered my fear.
I won’t chicken out this year.
   I felt like Alice in Wonderland as I stepped through the gap in the trees-teetering between excitement and fear. 
   “Watch where you’re stepping,” Mama’s voice shot past me a moment too late as I tripped over one of the many black cables spread out on the ground, running from large trucks where generators roared, drowning out the music and screams as we passed. I scanned the crowd through gaps in the lines and between rides as they spun and jerked around me, but I couldn’t find what I was searching for.  Tired workers beckoned to the crowd with promises of cheap toys and even cheaper compliments.  Teenagers walked arm in arm with new love, pretending their parents weren’t keeping a close eye on them from the other side of the crowd.  Mobile food booths plastered with bright, weathered signs advertising funnel cakes and corn dogs ran through the middle of the rides and games.  Lines ran from each of them like spokes on a wheel.  I reached up and pulled on Daddy’s shirt.
   “Daddy, can I ride on your shoulders?”
   “No, Sherri, why can’t you just walk with your sisters?” he replied. 
I only stared at him, knowing that was all it would take for him to cave.  In one swift movement, he grabbed me from behind and raised me above his head, settling me onto his shoulders.  Almost instinctively, I hooked my feet behind his back and grabbed the top of his head to steady myself.  That’s when I saw it-right past the rainbow colored tent covering rows of fish bowls. Bonnie, a girl from my class, saw me and held up an arm.  Dangling from her clinched fist was a plastic bag full of water.  Inside, an unfortunate gold fish slammed against the sides of the bag as she waved.  I waved back as I looked over her head-just in time to see the circle of brightly colored horses, each suspended from its own golden pole, come to a stop.
   My arms relaxed and, while my hands began to move to Daddy’s shoulders, my feet slid apart to hang loosely at his sides.  Sensing my shift in position, Daddy reached underneath my arms and once again raised me above his head-this time to plant my feet on the ground.  Fear enticed me to stay, but regret begged me to go.  My nails cut into the palms of my hands as I clenched my fists tightly and ran-leaving both fear and regret behind.  I could feel Daddy chasing after me but couldn’t hear him calling.  I heard nothing but my own voice repeating the same three words over and over to the rhythm of the haunting pipe organ music as I ran toward it. 
It is time.
It is time.

It is time.

Wednesday, November 19, 2014

First Triptych Published

My first triptych,Green Haze, was published at Matterpress.


Green Haze

by Sherri Ellerman

Microsoft Word - Document5

Sherri Ellerman is an Occupational Therapist who spends her free time writing. She has had flash fiction stories published in River and South Review, Estuary, and 50-Word Story. Her article, “Five Steps to Consider in Romance Fiction”, was published at “Write Well, Write to Sell”, and her essay and podcast titled, “One”, was featured at “This I Believe”. She is the flash fiction editor for Liquid Imagination, a literary magazine.

Tuesday, September 9, 2014

This I Believe Podcast

Podcast as featured on Stitcher radio station.




Sherri Ellerman: One
4 days ago · 6 minutes
As a child, Sherri Ellerman recalls her mother being worried about her age and living in fear of growing older. However, when her mother died at the age of 36, Ellerman realized that it isn't the number of days or months or years of life that matter.


Monday, September 8, 2014

Essay of the Week/Podcast

My essay  that appeared at "This I Believe" has been chosen as Essay of the Week, along with a podcast that was featured on the This I Believe podcast station on September 8.

This I Believe


One
Sherri Ellerman - Monroe, Louisiana
As heard on the This I Believe podcast
As a child, Sherri Ellerman recalls her mother being worried about her age and living in fear of growing older. However, when her mother died at the age of 36, Ellerman realized that it isn't the number of days or months or years of life that matter. What matters is the one life we have to live.

Tuesday, September 2, 2014

Brown Paper Bag

I am compiling a group of stories centered around my experiences in the field of home health. Of course, I won't use real names or details that would break confidentiality. Today, the first piece, Brown Paper Bag, was published in Estuary Literary Magazine. I'm not sure when I will have enough stories to put together the book, but I will submit pieces here and there until I do.
I can't do a direct link to this one. It's in issue three under "Story Corner".

Brown Paper Bag

    I’d been worried about the home health visit since the moment I received the phone call asking if I could add the patient to my case load.  I had never been choosy about which patients to take but was anxious about going to this particular area alone.  I pulled the clipboard from my bag and checked the address, scanning the road signs as I did.  Just when I started thinking I must have missed the road, I spotted the faded green sign.  Only three of the letters were visible from behind a thick vine that ran along a chain link fence then up the pole, before wrapping itself around the sign.  Two half-deflated helium balloons hung from a ripped poster board secured to the fence.  Big, boxy letters in neon red and purple announced,

“Birthday Par…”

My mind was busy filling in what was missing from the ripped poster as I made the right turn onto Pink Street. 

   Dirt driveways running through clusters of rusty mailboxes opened up to randomly placed mobile homes positioned in all directions, the back yard of one running into the front yard of the next.  There was nothing to assign any of them to the addresses on the sides of the mailboxes.  The tree line bordering the road opened up to reveal rows of identical white-framed houses.  The yards were bordered by chain linked fences or picket fences missing every other section.  Broken-down cars littered every other yard.  The missing tires served as flower bed borders, leaned against rusty tin auto shops, or rested on top of trash piles.  An abandoned couch sat in the yard of the last white house in the row.  In front of it was an electric fan on a long, beaten coffee table.  A cord ran from the fan to an orange electric cord that disappeared into a cracked window on the side of the house.       
   A small dot in the road ahead grew larger as I drove slowly toward it.  It evolved into a middle-aged man with his head bowed as he walked along the jagged pavement along the side of the road.  In his left hand, he carried a small brown bag that was twisted at the top, probably around a bottle that was contained within.   A 12-pack of toilet paper hung from underneath his right arm.  I slowed the car to a near stop, but when it didn’t look as if the man would look back, I pulled up slowly beside him.  I ripped the bottom from the first sheet of paper on the clipboard, quickly jotted down my patient’s name, and leaned across the passenger seat to hold the piece of paper out the cracked window.  When the man stopped, I waited for him to look up.  When he didn’t, I spoke,
   “Excuse me, sir, but could you tell me if this man lives on your street?” I asked hesitantly.
   “Of course,” the man answered as he glanced at the name then finally lifted his eyes and met mine.  “He certainly does.  Follow me.”
I let the car coast, allowing the man to ease back ahead of me.   He cast his eyes down to the ground and continued walking. 
    The street was quiet except for the occasional passer-by and a dog that barked in the distance in regular ten-second intervals.  Wavy lines of heat hung just inches above the black pavement.  In moments, they were swallowed by clouds of steam as the first drops of rain began to fall.  I inhaled deeply as the air circulated through the open windows.  The man pulled the paper bag nearer and sat the toilet paper down as he reached back and pulled a hood from the flimsy gray jacket over his head.  He gathered the tissue and continued walking.  I pressed the gas with plans of catching up to the man and offering a ride, but when I saw him pull the bag even closer, my heart hardened against him for what I knew must be inside.  The man stopped abruptly and looked back at me, nodding toward the next house on the left.  I waved, mouthing a “thank you”, and prepared to pull into my patient’s drive.  As I gave the dingy white- framed house and surrounding yard a visual inspection, I heard the squeals of children and the creaking springs of a screen door, followed by a loud pop as the door snapped back into place.  Three dirty, but beautiful, children ran down the front steps, into the rain, and straight toward me.  I waved them back as I prepared to pull in between the two vehicles already in the small drive in front of the house.
    As I opened the door to greet the children, the first one ran right past me.  The rest of them followed close behind, each one screaming separately one word that ran together in coherency.
“Daddy!”
What?  I must have missed my patient out by the road, perhaps checking the mail or trying to get in from the rain.
I glanced back toward the road just in time to see all three children attempting to jump into the man’s arms.  He dropped the 12-pack of toilet paper and held his right hand out, palm up, as if to tell them to do the same.  With a toothy grin, the man untwisted the top of the brown paper bag and reached inside.  He rummaged around until the children began laughing and urging him to hurry, then pulled out a handful of candy and dropped a couple of pieces into each one of their open hands.  He continued this process until the last of the candy was distributed then wadded up the bag and crammed it into his pocket.  He then stooped to pick up the toilet paper one last time before following the children into his home, stopping only to glance back and wave me forward with his now empty left hand.


Monday, September 1, 2014

First 50-Word Story

One of the men on my peer review site challenged everyone to write a 50-word story as an exercise in brevity.  It was one of the hardest things I have ever written-trying to fit a middle, beginning, and end all into only fifty words.  I submitted the resulting piece, Womb,  to 50-Word Stories, and they chose to publish it.



Top of Form
Search for:
Bottom of Form
SHERRI ELLERMAN: Womb
Pressure squeezes me to the rhythm of her heartbeat.
The warm fluid around me turns metallic and rushes past, pulling. I fight to stay until my body relaxes against smooth, strong walls.
I gasp as the womb releases me. My chest swells then releases the agony.
The silence is gone.


Sherri Ellerman is an Occupational Therapist who spends her free time writing short fiction and poetry. She has had a flash fiction story published in River and South Review, a literary journal. Her article “Five Steps to Consider in Romance Fiction” was published atWrite Well, Write to Sell in July 2014. She is the Flash Fiction editor for Liquid Imagination, an online literary magazine.

Friday, August 29, 2014

First Interview

My interview as Flash Fiction editor for Liquid Imagination.

http://sixquestionsfor.blogspot.com/2014/08/six-questions-for-sherri-ellerman-flash.html#comment-form


FRIDAY, AUGUST 29, 2014

Six Questions for Sherri Ellerman, Flash Fiction Editor, Liquid Imagination

Liquid Imagination publishes fantasy, horror, and science fiction stories (to 5000 words, 3000 preferred) and poetry, articles on writing, literary fiction, and flash fiction from 200-999 words in any genre. One aspect of Liquid Imagination that distinguishes it from other publications is its use of imagery, music, and voice to enhance the written work that appears on the site. Read the complete guidelineshere.

SQF: What are the top three things you look for in a submission and why?

Sherri Ellerman: 

Depth: I often over-think things, and I seek a deeper meaning in most everything. Both of these are factors in the choices I make with submissions. I tend to look for meaning behind a story or at least a revelation within it.

The author’s trust in the reader: I would rather miss something in a story than have every little detail spelled out. One of my favorite authors, Ann Marie McDonald, demonstrates perfectly how to trust the reader. She is able to show so much without coming right out and saying it. This can sometimes lead to unanswered questions, but that is often a trademark of flash fiction anyway.

Clarity of the characters: A writer of flash fiction has so few words in which to develop his characters. His ability to do so efficiently is something I look for in submissions. 
SQF: What most often turns you off to a submission?

SE: Besides a lack of the above mentioned, it would be an obvious disregard for proper grammar and usage. I am strict on myself concerning this when I write, so those mistakes bother me. Because of that, they are a distraction from the story. I will accept a piece that I have to edit and work with the author on, but it has to be really good in every other way that matters.
SQF: Will you publish a submission an author posted on a personal blog? 

SE: We prefer pieces of writing that aren’t already available to readers on the internet. How can we surprise our readers with fresh ideas if we are publishing something that they may have already seen?

SQF: Your guidelines state stories that "surprise us with fresh ideas and language” have the best chance of being accepted. Is there a particular story (or stories) that stand out as examples of this? Why?
SE: Going Under by J.J. Roth

This story drew me in with all of its subtle metaphors and symbolism. It could technically work even if the reader misses both, so it took a lot of trust from the author to let the readers see what he intended for them to see. He kept the language simple yet was able to show so much with the details he chose to include in his descriptions
SQF: What magazines do you read?

SE: To be honest, I can’t recall the last time I bought a magazine. If I have a lot of time to read, I will pick up a book. For a small window of time, I will go to the internet—to online magazines. I know that sites put together well, like Liquid Imagination and Fabula Argentea, will always have something to offer.
SQF: What one question on this topic do you wish I'd asked that I didn't? And how would you answer it?

SE: When I submit a piece for possible publication, I often wonder about the editor who will ultimately decide to decline it or consider it. If I could ask just one question of an editor who will be reading one of my flash submissions, it would be this:

How did you become interested in flash fiction?”

His answer will give me a strong indication of what he is looking for in submissions.

My Answer: Because I have a limited amount of time to write, I was getting bogged down in finishing my longer projects. Flash gave me an opportunity to write shorter pieces that contained complete story arcs but took less time to complete. I found the same satisfaction in reading flash fiction.

Thank you, Sherri. We all appreciate you taking time from your busy schedule to participate in this project.